| Biography
|
| German
lyric soprano Silvia Berghammer studied vocal pedagogics, gaining
a first-class honours degree at the University Mozarteum in
Salzburg. |
|
In 2006
she received her 'Bachelor' diploma in Vocal Performance at the
Royal Conservatory in The Hague (with teachers Diane Forlano, Rita Dams,
Lenie van den Heuvel and coach Peter Nilsson). In 2005/2006 Silvia Berghammer was a member of the
elementary class of the Opera Academy (Amsterdam-The Hague). In
january 2009 she finished her studies with the 'Master of Music' degree (with
emphasis on opera and oratorio) at the Conservatory in The Hague. |
| At the moment she is
completing her studies by working intensively with Diane
Forlano, soprano Cathy
Pope (London), the renowned vocal teacher and voice
researcher Maestro David Jones (New York) and coach Peter Nilsson. |
|
She has followed
masterclasses with Sir John Tomlinson, Janet Williams, Michael Chance, Alison Pearce,
David Wilson-Johnson, Ron Murdock, Paula de Wit, Renate Schulze-Schindler, Kurt
Widmer, Jard van Nes and Barbara Pearson. |
|
During her studies at the
Mozarteum in Salzburg Silvia Berghammer already gained
experience in teaching by giving singing lessons at German music
schools. Since then she has specialized in her own vocal studio in
teaching the Swedish/Italian School of Singing (in collaboration
with Maestro David Jones). |
|
This lyric soprano is much in
demand as a soloist in song and oratorio. She regularly gives
concerts and song recitals in Germany, The Netherlands, Austria
and Italy. Her opera and concert repertoire spans all genres of music from Baroque to Contemporary with
emphasis on the Classical and Romantic periods. 2008
she made her debut at the Palais des Beaux-Arts in Brussels
with the winners from the Queen-Elizabeth Competition in Belgium
on the occasion of the 50th anniversary of the European Union
Choir. Onder conductor Theodor Guschlbauer and the National
Orchestra of Belgium she performed the soprano-part in
Mendelssohn's Elijah with great success. |
|
In opera her voice is
especially suitable for the lyric Mozart roles (e.g. Contessa,
Pamina, Fiordiligi a.o.) and the operas of Richard Strauss. |
| Among her concert activities
have been her debut as Governess in Benjamin
Britten’s opera The Turn of the Screw and Albert
Herring (Harry) under conductor Kenneth Montgomery and engagements
at the YO-Festival (Youth Opera Festival) in
Utrecht, the National Theatre in The Hague, the international
festivals for contemporary music in Den Bosch, Gent and Herne as
well as Pfingsten Barock Festival in Salzburg.
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